Guest Blog: My Biased Review of Periphery 2: This Time Its Personal

In our first ever Power Cords guest blog, metalhead, playstation fan, and full-time Thor impersonator, Jordan Kessler give his totally biased review of Periphery’s latest auditory assault, Perphery II: This Time it’s Personal. Enjoy!

I have to first start this review off by saying that Periphery guitarist Mark Holcomb and I are very close. In 2004 I had the prestigious honor of being Marks roommate in college, which completely rocked. I was moderately into heavy metal at the time, skimming the surface with gateway bands like Metallica, Motorhead, and Iron Maiden. We instantly clicked (Really on anything; ethnic food, video games, movies) and before you knew it we were seeing Children of Bodom live, grieving over the death of Dimebag Darrell, and casually meeting our new god Devin Townsend backstage.

Mark and metal had a profound effect on me and while you’re probably saying to yourself, “they formed a band right?” you’d be wrong. I possess zero musical talent. I mean, I look good in corpse paint and I can carry a tune, but instruments fall to ruin in my hands. Now Mark on the other hand, here is a guy who can wail on a guitar and I don’t just mean play Stairway to Heaven and call it good, this guy is creative. I rarely ever heard the same thing twice and if I did it was because the riff was beyond catchy (Periphery 2’s Scarlet comes to mind, a Mark Holcomb original). With this skill Mark put together Haunted Shores, which certainly had it ups and downs but was definitely a worthwhile endeavor. It certainly caught Periphery’s leader Misha Monsoor’s ear.

And well, the rest is Periphstory.

Now I guess I should talk about the album, years in the making by a band that in my opinion has had more stops and starts than my bike. I was there for all the band member changes, the potential label deals, and of course the announcement of Spencer Sotelo as their new singer and some time after that, Mark as their new guitarist.

With all my Periphery knowledge in mind I am happy to say that this album is a triumph for this group. I know I only get to say this once for a band, but I mean it. It is a triumph. The guitars are tight, the riffs are phenomenal, the production is on point, but the star of the show is the before mentioned Spencer Sotelo. Spencer roars like a beast on this album adding his incredible range to the Periphery onslaught. Compared to the first album, an album that had forced Sotelo to sing songs written for a different vocalist (Casey Sabol), he now sings under his own power, unhindered by what came before. He is own man now and while we will always love this band for the riffery, the soul of this group has become Sotelo.

I don’t have much else to say really except this and it’s going to sound really sappy. You have to fight for your dreams. I literally watched Mark scratch and claw to his now success. He wanted to be a professional musician and HE IS DOING IT. I am immensely proud and inspired by him and his band mates. They have put together an incredible album and I strongly encourage you to listen to it.

Favorite Tracks: Muramasa, Have a Blast, Scarlet, MAKE TOTAL DESTROY, Erised

Check out more Periphery here.

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Brendan Recommends #1: Prog Metal

Welcome to the first installment of “Brendan Recommends!”

Just to get a sense of what this is all about, for the next few weeks I’ll be posting weekly articles recommending you all bands/artists I enjoy from a multitude of genres. Now, if you’ve followed the music section of Power Cords at all, you know I’m the resident metal nerd ’round these parts. So of course, the majority of stuff I post will be concerning extreme music in some way.

But fear not! I have several non-metal/hardcore themed posts coming as well, so be sure to keep your eyes peeled. However, the whole reason I’m doing these is to give you a jumping off point to discover new music. Everything I post here has my 100% stamp of approval — these are my favorite bands of their respective genres, and I want to share them with you.

So without further ado, let’s get started with my prog metal recommendations!

1. Gojira – Full disclosure, I’m still getting familiar with this band. I’ve only recently begun to really delve into the discography of this fantastic French quartet, and I’m blown away by the music they produce.

Gojira are somewhat of an enigma. They play highly progressive and experimental death metal about saving the environment – not necessarily a common formula for success in any genre of extreme music. And yet, they’ve gained immense popularity and garnered near-universal praise from critics. Why? Because the music they make is not only unique, it’s damn good. I highly recommend jumping on board with Gojira.

Check them out here, and be on watch for their new album due out June 26, via Roadrunner Records.

2. Between the Buried and Me – For a long, long time, BTBAM were my absolute favorite band. In many ways they still are — I know every song note by note, and every time I spin Colors I’m hit by a flood of nostalgic memories. But at the same time, in my opinion, BTBAM haven’t produced anything quite as spectacular as Colors and Colors Live. Now, I don’t want to sell the band short — nearly every album they’ve released easily makes my favorite albums of all time list, but they have yet to out-doColors. While the sound may not change much between releases, BTBAM are still leauges above their peers in terms of musicianship and songwriting.

BTBAM have a new album in the works, and you can find out more on them here. They’ll be on tour with a boatload of awesome bands this summer, co-headlining Summer Slaughter with death metal legends Cannibal Corpse.

3. Isis – One of the most influential post-metal bands ever, Isis were in a league all their own. Isis wrote beautiful music that combined the passion of hardcore punk with the creativity and complexity of prog rock. They were heavily influenced by Neurosis, creating a similar massive sonic atmosphere that could be felt at even their quietest moments.

Unfortunately, Isis broke up in 2010. While the members of the band still play in several other post-metal and prog projects — often with each other — nothing quite captures the atmosphere of Isis. Their catalogue stands as some of the most influential music in the metal scene.

Check out the band here. And while they may be done, the group are still releasing posthumous live albums, as well as a rumored album of unreleased material spanning the band’s career that may soon surface.

4. Mastodon – Often grouped into the southern sludge metal scene, Mastodon always had a more progressive tone about them than bands they were compared to. And ever since 2009′s Crack the Skye, Mastodon set themselves apart from the pack. After the release of Crack the Skye, Mastodon have been regarded not only as one of the best prog metal bands around, but also as one of the hardest working bands period. After non-stop touring, and finally releasing their fifth studio album The Hunter last year, Mastodon have become a household name. But don’t let all that fame and recognition fool you — these guys are just as good as they used to be, if not better.

Check out Mastodon here.

5. Protest the Hero – Coming from a strong punk rock and hardcore background, Protest the Hero approach their brand of Prog metal differently than most of the bands on this list. Protest the Hero pump out riffs and licks, writing spastic and fast music that’s still catchy and fun to listen to. Instead of writing long, instrumental passages to show off each musician’s skill, they display their talents seamlessly, each member playing alongside one another. They condense the notoriously long prog metal song into 3 to 5 minutes, widening their appeal past progressive music fans, into other genres of metal and punk. Highly energetic and extremely fun live, Protest the Hero prove that Prog doesn’t have to be longwinded or “boring.”

For more Protest, go here.

6. Periphery – Similar to Protest the Hero, Periphery write music that is easy to take in and still marvel at the ability of the musicians. Periphery are probably the band most responsible for bringing “djent” to a new generation. Not only that, but they took that Meshuggah-crafted sound and instead of continuing down the path of percussive, abrasive music, took a different path towards melody and catchy riffs. Again, this doesn’t mean they don’t have chops or can’t write complex songs – far from it in fact. They just know how to write songs that are fun to listen to and crazy technical.

Check ‘em out here. They, too, have new maetrial in the works, and you can catch them alongside Between the Buried and Me on this year’s Summer Slaughter tour.

7. The Dillinger Escape Plan – And here we are at the final band on the list. some could say I saved the best for last, and I’d be lying if I said otherwise. It’s hard to put the music of DEP into words, so bare with me. Playing, fast, spastic, complex, schizophrenia-inducing music known as “mathcore,” DEP know how to fuck with your head. At times, they combine this insanity with electronic and and industrial music, and even break out into funk and rock ballads. It’s truly fascinating music, and it always sounds as if it comes naturally to them.

Beyond that, their live show is notoriously ferocious and high energy, and must be seen to be believed.

Of all the new records currently being worked on, DEP’s is the one I’m most excited for. It might be jarring or at times near-unlistenable upon first listen, but stick with it and you’ll find their music to be some of the most addicting and powerful tunes to have ever graced ruptured your ear drums. More Dillinger here.

That’s all for now folks, hope you enjoyed it! It certanly doesn’t cover the entirety of the genre, nor all my favorites, but I feel it’s a good list to get started with. I’ll be back next week with more recommendations. Feel free to suggest genres you’d like to see me cover, as well as offer your own recommendations in the comments!

Album of the Week, Feb. 16 2012: Protest the Hero – Fortress

Welcome back to Pwrcord’s Album of the Week segment, where one of our writers gives us a look at their favorite albums. This week, Brenda gives us an earful on Protest the Hero’s prog-metal masterpiece, Fortress.

 

 

Progressive metal has slowly, but surely, taken over my musical library as the dominant genre. Once ruled by death metal, then crust punk, and most recently sludge metal, it was only a matter of time until I started to look for something more musical fulfilling than just crushing riffs and endless blast beats. Protest the Hero’s Fortress is one of my first discoveries on this quest.

What it is: Fortress is the second studio album from Canadian band Protest the Hero. It was released in 2008, and had a profound effect on the  the type of music I enjoy, and how I enjoy it.

Protest the Hero’s musical style was once described to me as if “Coheed and Cambria listened to Necrophagist.” That’s a pretty solid approximation. They’re extremely progressive and melodic, with post-hardcore and punk roots, and expressive and powerful vocals and lyrics. Fortress was even a concept albums — all things one could liken to prog-rock kings (imo), Coheed and Cambria. But they’re also highly technical, and have an extreme metal-inspired aggression — very similar to Necrophagist and similar bands.

Fortress is without a doubt their angriest and most “metal” record, with songs revolving around ancient battles, alien invasions, and ancient Goddesses. Riffs sweep across the fret boards of Luke Hoskin and Tim Millar; the drumming of Moe Carlson is tight and pummeling; Arif Mirabdolbaghi’s bass practically takes on a life of its own; and Rody Walker’s vocals are the most aggressive they’ve ever been, using more screams and growls than on either of their other full lengths. His vocal range and delivery is probably the highlight of the album, besides the genius song-writing.

Why I love it: Of this new-found fondness for progressive music, Protest the Hero probably stand atop the list of bands I would consider my current “favorites.” I discovered this energetic bunch of prog-metallers back in 2008 when they released Fortress. For me, it was something of an eye-opening experience. I realized metal music didn’t need to be all about blood, gore, and aggression for the sake of aggression. I became cognizant of the fact these “short-hairs” who wore clothes bereft of black fabric, ineligible logos, and entirely devoid of any blood or pagan imagery, were actually on to something here.

Nowadays, I’m one of those short-haired normal lookin’ fellas (I still have a few black shirts with scrary stuff on them in my wardrobe, though). I’ve become enlightened to the talents of great acts like Animals as Leaders, Between the Buried and Me, 3, The Dillinger Escape Plan, Periphery, The Number 12 Looks Like You, Mastodon, Cloudkicker… the list goes on and on. I owe it all to Protest the Hero and this album.

It took a bit for me to get past Rody Walker’s vocals, but now he ranks among some of my all-time favorite singers in any genre. The spastic, technical guitar work, however, immediately grabbed me. What’s more, as a bass player, hearing (and seeing) Arif Mirabdolbhagi’s skills with those four strings is inspiring and awe-striking. I’ve yet to see a better live band than Protest the Hero, and they also make some of the best music videos in metal music, period. You can quote me on that. Fortress is one of the biggest reasons I enjoy the music I do today.

Sure, maybe I like their latest  Scurrilous a bit better, and maybe PTH aren’t my ABSOLUTE favorite prog metal band(it’s close), but that’s all discussion for another Album of the Week entry. What matters is they’re one of the first bands to really introduce me to music that transcended the norms of song writing, and there are bands out there doing things that isn’t like anything else. It’s music created for no other reason other than the love of it. The music they make is the result of them sitting down and playing, not trying to sound like anybody else. Plus, I mean, they sing about Ghengis Kahn and crazy stories about Irish Goddesses on Fortress. That’s fucking cool.

Do yourself a solid, and check out this album.

For fans of: The Human Abstract, Between the Buried and Me, The Fall of Troy, The Dillinger Escape Plan, Periphery, Coheed and Cambria

Album of the Week 2/8/2012: Periphery – “Periphery”

Welcome to the first of many entries in Pwrcords.com’s Album of the Week column! Every week, one of our writers will contribute posts on their favorite albums, and why you should love them, too! This week, Brendan gives us a look at Periphery’s self titled debut. And be on the lookout for Game and Movie of the Week columns as well!

Djent. It’s become a four-letter word of sorts these days. What started as an adjective to describe the guitar sound of bands like Meshuggah, has grown to encapsulate an entire genre. In the past few years, djent’s popularity has exploded, with new bands aping the heavy guitar tone and complex polyrythms of the genre’s progenitors, and creating their own unique spin — mixing in highly melodic passages and vocals. Periphery are one such band. [Read more...]

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